Momento Morididdle by Charles Clary

Charles Clary’s Memento Morididdle installations take the form of Victorian or Rococo salon style walls, densely compacted with hundreds of frames, with each frame containing a paper sculpture. This maximalist approach to his installation practice achieves the desired outcome of overwhelming the viewer with an inundation of information. But unlike historic sitting rooms, he collects his traumas, abuses, transgressions and grief for exhibition. These memories are on display for all to see — no hiding, no masking, just raw truths. Not only are they my traumas, but they are often those of the viewers as well. Collectively we hurt, we grieve and we lament the darkest moments in our lives. Instead of hiding behind walls, we can wear them as badges of honor and growth.

Bio:
Charles Clary, he/him, was born in 1980 in Morristown, Tennessee. He received his bachelor's of fine arts degree in painting with honors from Middle Tennessee State University, and his master's of fine arts in painting from the Savannah College of Art and Design. He has shown in exhibitions at Galerie Evolution-Pierre Cardin in Paris, France, The Netherlands’ CODA Museum Paper Biennial in 2021, The Shanghai Paper Biennial in 2021, Art of Paper Fair in New York City, and many other international, national, and regional juried, group, solo, and museum exhibitions. Clary won top prize at the 2016 ArtFields Competition in Lake City, South Carolina, and in 2019 he won both People’s Choice Award for 2D and the Merit Prize at ArtFields. He recently sold three commissioned pieces to Google corporate offices, and he was named the HTC Distinguished Teacher-Scholar at Coastal Carolina University in 2022 — the highest award bestowed upon a faculty member by the university. Clary has been featured in numerous print and Internet interviews including Create! Magazine, Candyfloss, This is Colossal, WIRED magazine (US and UK), Hi Fructose, Beautiful Deay and Bluecanvas Magazine. He has also been featured in publications including 500 Paper Objects, PaperWorks, Paper Art, Papercraft 2 and PUSH: Paper. Charles has exhibited regionally, nationally, and internationally in numerous solo and group shows, represented by Paradigm Gallery+ Studio in Philadelphia and R02 Gallery in Dallas, Texas. Clary currently lives and works in Conway, South Carolina, where he is a professor of studio art and associate chair at Coastal Carolina University.

Artist statement:
My work stems from the loss of both my mother and father due to smoking related cancers in February 2013. Their passing left a deep void in my life that led to my interest in Memento Mori, remembering that one day you will die, and a reinvestigation of my own childhood trauma, abuse and mortality. Through these investigations I came to terms with the trauma of my childhood and the lack of memories I actually have. Picture frames are usually reserved for those most cherished memories: a family outing, birthdays, weddings or holiday get togethers. They rarely encapsulate the most influential events: a death in the family, trauma or abuse. My work seeks to investigate these moments as they force us to make decisions — decisions that lead to life-changing events. We either rise to the occasion or sink into despair. Pulling from the ideation of mourning jewelry, hair wreaths, and Victorian sitting rooms, my work mimics and encapsulates trauma within the fragility of paper.

Join us for the Opening Reception Thursday, Sept. 12, from 5-7 p.m. (artist will not be present), and for the Closing Reception and Artist Talk Friday, Oct. 11, from 5-7 p.m.

Additional information and programming coming soon!

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Exhibition dates: Sept. 12 – Oct. 11, 2024
Opening Reception: Thursday, Sept. 12, from 5-7 p.m. (artist will not be present) RSVP | Closing Reception and Artist Talk: Friday, Oct. 11, from 5-7 p.m. RSVP

Monday–Friday, 10 a.m. – 5 p.m.
Closed on major holidays
Admission is FREE
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The UCF Art Gallery at the University of Central Florida serves as a catalyst for visual art experiences and education, culture and community engagement. Our mission is to encourage dialogue and engagement between students, faculty, members of the community, and artists by providing a framework for intellectual and creative inquiry. The gallery hosts exhibitions and programming that examine cultural and social contexts and support contemporary art practices.

Free parking is available in Garage F next to the Addition Financial Arena. Parking lot H4 or Garage I requires purchasing a $5 daily virtual visitor permit. Please note that visitors should park in green student spaces ONLY, as the $5 daily virtual permit does not cover red and blue spaces. After 5:30 p.m., daily virtual visitor permits are allowed to park in faculty, staff, unreserved or student spaces. Visitors can register their vehicle’s license plate information into the online parking system.